East Carolina University

02/06/2026 | News release | Distributed by Public on 02/06/2026 08:29

ECU alumna shares new documentary, accessible dance with students, veterans, community

ECU alumna shares new documentary, accessible dance with students, veterans, community

East Carolina University advanced dance students learned an accessible Black Box Dance Theatre (BBDT) warmup on Jan. 27 with founding member Natalie Morton. The group repeated their peers' names while combining the movements each contributed to the warmup, giving voice and ownership to the dancers.

Using the art of dance to give voice and power to all people was a theme of the day from Michelle Pearson '92 and her Raleigh-based BBDT colleagues. Pearson earned her Bachelor of Fine Arts degree in dance at ECU and has worked 30 years in the industry. She is the BBDT founder and artistic director.

Advanced ECU dance students warm up, led by members of Black Box Dance Theatre in Raleigh, answering the question "What does your body need?" with movement. (Photos by Steven Mantilla)

While Pearson and her colleagues spent the day in dance and conversation with ECU School of Theatre and Dance (SOTD) students, they also screened the new documentary, "We Lift Each Other." The emotional film features the BBDT during a week in 2023 when they introduced movement-based community and healing to a group of Asheville veterans, resulting in a performance at Asheville's Wortham Center for the Performing Arts. Viewers meet Curtis, John and Roy, among other veterans and spouses who share difficult stories and open up to the power of dance.

The film is part of a documentary anthology by Tony Award-winning producer Mara Isaacs, "I Feel Myself to be Part of Something." It explores the impact of art in America through five stories in Los Angeles, New Mexico, Montana, Chicago and North Carolina. "We Lift Each Other" premiered on Veterans Day last year and through the RiverRun International Film Festival in Winston-Salem before coming to ECU.

"(Isaacs) has given us the film to support the work, which is pretty incredible," Pearson said. "I think I called East Carolina way back in August before the film was even out because I knew the first place I wanted to bring this was to Greenville, to the dance department.

"We want to share the ownership of this with North Carolina dancers in particular, and then East Carolina really in particular."

Morton's movement-accessible warmup, also shared with SOTD intermediate dancers and beginning musical theatre students, is one that BBDT uses often, especially with non-traditional dancers, like veterans. As Pearson describes it, they ask a question they don't have the answer to: "What does your body need right now to warm up? What do you need?" Participants answer with movement.

"Coming in and teaching our vocabulary is not going to happen," she said. "But Natalie does this for them and they're dancing in two seconds, just because they gave the movement. If you answer, we're going to honor you and give you credit for it. Your voice matters."

Guest Artists Inspire

Hosting guest artists - some ECU alumni - is a critical education piece for College of Fine Arts and Communication students, giving them perspectives and advice from people working in the parts of the world they are training for.

"It's key," said dance associate professor John Dixon, particularly because ECU is not in a central urban hub. "The students are incredibly hungry and open; no matter who we bring in, they're soaking it in. Students change what they're thinking about doing because of the work of the guest artist. It gives them another angle."

Students who spent time with Michelle Pearson '92 in the School of Theatre and Dance, both for masterclasses and a screening of her new documentary film "We Lift Each Other," agreed.

"Getting to dip my toes on the side of what life outside this program will look like is really helpful," said junior dance major Sarah Parks.

Hannah Lowe, a double major in dance performance and choreography, and communication with a public relations concentration, said dance programs are small, but the impact of exposure to other styles is big.

"Guest artists have always been a really valuable resource that have been brought into this program to broaden our horizons and see new things that people are doing in the dance world," she said.

Dance as Healing

By bringing "We Lift Each Other" to ECU, Pearson hopes to inspire the dance community to pick up on the BBDT's work so far and help others through dance. She already has received support and commitment from North Carolina and beyond. PBS purchased the film and will broadcast it at an unknown future date.

Secretary Jocelyn Mitnaul Mallette of North Carolina's Department of Military and Veterans Affairs attended the initial premiere and expressed support, with a plan to show the film in May to Gov. Josh Stein, North Carolina's cabinet, and the General Assembly, Pearson said.

"She's so enthused by this," Pearson said of Mallette. "She has it set up for 200 veterans service officers to see as a part of their continuing education."

Retired Buncombe County Superior Court Judge Marvin Pope appears in the film, presiding over the Buncombe County Veterans Treatment Court, which he founded in 2014. The court helps veterans suffering from substance use and mental health disorders, and has helped connect veterans with the BBDT.

"(Judge Pope) is calling it one of the most 'accountable and compassionate forms of justice' he's ever seen," Pearson said. "He's been writing letters to other judges saying this is what should be happening when they're in this treatment court phase; they should have some sort of art-making process because that was the treatment that carried them forward, gave them community, gave them the next steps in recovery."

Dance students viewed the film first, and several said they felt connected to the film because they have family serving in the military. Isabel Beck, a sophomore dance major who is an extended BBDT company member, is one of those. Her father has served for 24 years.

"I saw the film as a connection of two really, really major parts of my life," she said. "It just shows the impact we can have; you don't often think of dance being able to do these kinds of things. I loved being able to see that and experience it."

Beck laughs when asked if her dad has ever danced. She said he's been "super supportive" by attending her performances and escorting her to some military dances, but hasn't appeared on stage himself.

Many students felt the impact of the film, and of the lessons Pearson and her colleagues brought to ECU. Junior dance major Sarah Parks, who has attended two of the company's winter intensive sessions, said BBDT appreciates every person's ability in dance.

ECU dance senior Tala Shay, center and speaking, participates in a conversation with Michelle Pearson '92 after dance students viewed Pearson's new documentary, "We Lift Each Other." (Photos by Steven Mantilla)

"They're really supportive, and they see dance as movement rather than talent," she said. "It was really eye-opening to see the things that people go through and how they can get through that and feel human again."

Hannah Lowe, a dance performance and choreography junior with a double major in communication with a public relations concentration, first connected with BBDT classes because she lives near Raleigh. She was happy to see people in the film she's danced with.

"You always feel welcome when you go and dance with them," she said. "Working with the veterans, I think it shows how impactful art is and how much it really does contribute to the world today, and how much of a positive impact it can have."

John Dixon, an associate professor of dance who came to ECU in 2009, has worked with Pearson on similar projects since his first years here. One of those was "Patriot," a performance similar to that in "We Lift Each Other," with participation by veterans and ECU students, performed on campus.

Dixon said Pearson's ability to connect with people in the world, and demonstrate that to students, is transformative.

"When we move, when something engages us at another level … it really changes the depth of the experience," he said. "And when students experience that, and they start to understand that when they're training they're not just learning how to move their body in some way, but that they're tapping into a whole different level of expression of who they are, that they're revealing parts of themselves, it's deeply beautiful without having to say exactly what it is.

"I think it's a gift that an ECU graduate is doing the kind of work that, creating transformation through dance art at a national, and I think through this film, an international level. I'm incredibly excited about it and happy for her."

The College of Fine Arts and Communication and the ECU Alumni Association hosted an evening screening of the film for the broader community. Pearson and her team - including Marissa Schroeder and BBDT founding member Alfredo Hurtado, a Purple Heart combat wounded U.S. Army veteran who found healing in dance - shared that the work continues. The veterans appearing in "We Lift Each Other" still dance and have performed in four more shows.

Audience members shared that the film's messages resonated with them, from the creation of community through shared experience and the isolation many of the veterans shared that they felt.

"The documentary showed me that sometimes all it takes is reaching out just a little bit," one audience member said. "People will catch you; you just need the inner strength to push through that invisible wall."

Pearson said her team often says they aren't therapists, but what they do is therapeutic, and that they simply invite people to bring whatever part of themselves they wish, and they create something as a group.

"We want to be sure that everyone sees it first and foremost as a story of dance," Pearson told ECU's dance students. "This is our art form. This is what dance does."

More Stories

East Carolina University published this content on February 06, 2026, and is solely responsible for the information contained herein. Distributed via Public Technologies (PUBT), unedited and unaltered, on February 06, 2026 at 14:29 UTC. If you believe the information included in the content is inaccurate or outdated and requires editing or removal, please contact us at [email protected]