10/12/2026 | News release | Distributed by Public on 10/12/2026 17:04
I realize this might seem like a slightly ridiculous statement, especially because I have absolutely no evidence to support it. But I stand by it.
Frank Ocean is one of the artists I associate most with looking backward without getting stuck there. That idea has stayed with me because university makes it easy to turn yourself into a list: grades, internships, clubs, interviews and titles.
I'm especially guilty of this.
Paris Texas always feels confident and uncertain at the same time.
That contradiction feels real to me.
I used to think confidence was something you either had or didn't have. Now I think a lot of it can be practised. You walk into rooms where you feel slightly underqualified. You ask the question anyway. You apply before you feel ready.
At first, belonging can feel like something you're pretending. Then, slowly, some of the pretending becomes real.
For me, Mac Miller is tied to the quieter side of closeness.
• Getting coffee.
• Sitting in someone's car.
• Walking somewhere without being in a rush.
• Talking about absolutely nothing.
Those moments barely register while they're happening. Later, somehow, they become the ones you remember. Maybe that's because ordinary moments are usually where people stop performing and just become themselves.
Sometimes closeness is just reaching the point where neither person feels like they need to perform anymore.
Tame Impala makes me think about change, especially the uncomfortable kind.
I think we like difficult decisions to have obvious heroes and villains. Sometimes they don't.
You can care deeply about a friendship, relationship, opportunity or even an older version of yourself and still realize it no longer fits.
Leaving doesn't always mean that something meant nothing.
Zach Bryan makes me question what exactly I'm optimizing my life for.
I'm very good at postponing things.
After this exam. After recruiting. After the internship. After graduation. There's always another checkpoint. The dangerous part of ambition is convincing yourself that your real life starts later.
Some people have taught me otherwise. Not everything meaningful needs to be productive.
• Get coffee.
• Take the long way home.
• Waste an hour.
Sometimes that hour wasn't wasted at all.
Daniel Caesar makes me think about the difference between being understood and being excused.
Someone can understand your flaws and still expect better from you.
Someone can accept you without giving you permission to remain exactly the same forever.
That might be one of the hardest things good relationships give us. Not unconditional approval - a mirror.
Maybe Music for the Soul isn't really an archive of songs. It's an archive of things people left behind.
Perspective. Ambition. Confidence. Comfort. Permission to let go. Reminders to slow down. Accountability.
Some of those people are still in my life. Some aren't.
But all of them left something.
Steal something. Send me something back.
That's how the archive grows, one borrowed thing at a time.
And yes, I am still an avid Apple Music user. Spotify users are welcome.
(Some differences are survivable … )